In the India Today Woman: Embrace your sexuality

Why women need to shed their inhibitions and come out of the sexual shell in order to be liberated.

Kiran Manral

Author, Mumbai

Of all the disservices that we women do to ourselves, the most common is that we do not consider ourselves sexual creatures. Blame it on the conditioning we’ve been slapped with all through our growing years and add to it the Madonna-whore dichotomy that the patriarchy imposes on us. The fear of being judged for being sexual creatures makes most women play down their sexual selves and desires.

On CJP.org: Feminism and the Rights of the Indian HomemakerWithin the Home, Her Rights are a Work in Progress

25, Nov 2017 | Kiran Manral

#feminism #home-makers #patriarchy | join us

Feminism has had its own journey across the Indian subcontinent and touched different women differently. In this exclusive blog, author Kiran Manral examines the evolution of feminism and its impact on the Indian homemaker.

 

The feminist movement, a movement for the equality of genders in all aspects, is not new to India. In fact, the first phase of the feminist movement in our country began in the mid eighteenth century when voices began to speak out against the barbaric practice of Sati, followed by the initiation of women into the freedom movement, and interestingly, seeing the participation of women not just in the non violent movement but also in the combat positions with the Rani of Jhansi regiment in the Indian National Army. This was followed by the post independence movement, which sought to give women the right to equal wages for equal work, right to education, equal political rights, as well as the right to inheritance and property amongst others.

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An interview on the ProEves site

Mommy Blogger, Author and Speaker – This mom is an inspiration to us

Let’s hear from Kiran Manral who published her first book, The Reluctant Detective in 2011. Since then, she has published eight books across genres till date. Her books include romance and chicklit with Once Upon A Crush (2014), All Aboard (2015), Saving Maya (2017); horror with The Face at the Window (2016) and nonfiction with Karmic Kids (2015), A Boy’s Guide to Growing Up (2016) and True Love Stories (2017).

Her short stories have been published on Juggernaut, in magazines like Verve and Cosmopolitan, and have been part of anthologies like Chicken Soup for the Soul, Have a Safe Journey (2017) and Boo (2017). Her articles and columns have appeared in the Times of India, Tehelka, DNA, Yowoto, Shethepeople, TheDailyO, Scroll, Buzzfee, New Woman, Femina, Verve, Elle, Cosmopolitan, Conde Nast Traveller, DB Post, The Telegraph, the Asian Age, iDiva, People, Sakal Times and more. She was shortlisted for the Femina Women Awards 2017 for Literary Contribution. She is a TEDx speaker and a mentor with Vital Voices Global Mentoring Walk 2017.

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Bombaywaali with Pooja Shetty Deora

Founder of Imagica and Director of Adlabs Entertainment Limited spoke to SheThePeople.TV’s Ideas editor, Kiran Manral, at this month’s edition of Bombaywaali. Deora has set up India’s first IMAX, its first theme park IMAGICA, and has produced various movies like ‘Tere Bin Laden’ and ‘Rita’.

 

On starting IMAX

My father was a technical science-related business, and I realised it is not for me. They have 90 per cent market share, what will I do? Can I do something else? I always wondered.

Six months before I graduated, my father said that he wanted to set up the first IMAX experience in India. He asked me if I wanted to join, and I said of course. My father had done the ground work in terms of identifying the land, we came in at the finishing stages. My father is good at the big picture, the smaller aspects and building the organisation. Hiring people was left to us. It was a great learning experience. I had a similar experience with IMAGICA, where I had more responsibility.

 

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In Scroll: ‘Why I’m not ashamed to be called a chick lit author (and you shouldn’t be either)’

Author Kiran Manral writes about why she decided to embrace the much-maligned genre.

My very first published book, I must confess, had a green stiletto on a pink cover. My second had a lipstick and a heart. The third had a girl in a bikini. I was, to my consternation and confusion, turning into that terrifyingly “puerile” creature – a “chick lit” author.

This rather tarnished position of the chick lit author really hit home when, at an august gathering, I was asked what I write, in much the same tone as one might ask a sufferer whether they were the carriers of a life-threatening infectious disease. A helpful soul in the immediate vicinity contributed, rather loudly at that, “chick lit.”

There was a perceptible freeze in the atmosphere. Folks edged away from me like they might from someone who had just removed the machete she carried around in her oversized handbag for moments like these. A brown tan hobo, if you must know, with wonderful grainy leather. The hand bag. We chick lit authors remember these details.

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